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Joined: Aug 2017
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Apprentice
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Apprentice
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SoundCloud Link: https://soundcloud.com/user-327268453/dont-wanna-know-about-itBBSoloist_Real 1949 Piano, Acoustic, Soloist PopRootsyJohn Ev16 100 BBSoloist_Real 2203 Guitar, Electric, Soloist PopPromiseBrent Ev16 100 (Used MIDI only for guitar solo) Arranged and mixed with Studio 1. Vocaloid for vocals except male verse parts. Lyrics Verse 1:Male: Is this love? Female: I don’t wanna know about it. Male: Is this love? Female: I don’t wanna know about it. Verse 2:Male: Are you the one? Female: I don’t wanna hear about it. Male: Are you the one? Female: I don’t wanna hear about it. Chorus 1:Not ready for commitment Not ready to settle down Give it some time to grow - slow Go slow Verse 3:Male: Is this love? Female: I don’t wanna know about it. Male: Are you the one? Female: I don’t wanna hear about it. Chorus 2 and 3:Not ready for commitment Not ready to settle down Give it some time to go slow Go slow Don’t wanna move too fast Know from what I’ve learned – In the past Go slow
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Joined: Apr 2016
Posts: 6,600
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The drop from the piano only intro into extended intro was a bit odd. You need to make the male vocal as clear as the vocaloid OR visa versa. Interesting stuff.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
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Joined: Aug 2017
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Apprentice
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Apprentice
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Posts: 210 |
The drop from the piano only intro into extended intro was a bit odd. You need to make the male vocal as clear as the vocaloid OR visa versa. Interesting stuff. Hi rayc, Thanks for listening and the critique. Regarding your comment that male vocal in verse not as clear as female, this was a conscious decision on my part. I wanted to convey that the man was in a dream world, glassy eyed, not thinking clearly, incapacitated with infatuation and that the woman was thinking clearly, and being real with the situation. To do this I put some delay and reverb with a long decay on the male vocal. Also, it’s volume lower to put further back in the mix. I think the song ended up being a bit too long, so shortening the intro would be a good place to start, though I don’t think it would sound right going immediately into the “Oh Yeah”s.
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Joined: Jun 2000
Posts: 1,944
Expert
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Expert
Joined: Jun 2000
Posts: 1,944 |
Very interesting Mark... Nicely done... I wonder what it would sound like if you had the male/female voices... Panned more right & left from each other... Overall I enjoyed the listen... BTW don't wait so long to post a new one... The last one I heard was "A Worthless State of Mind" back in January
Jim †=☮&♥
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Joined: Mar 2018
Posts: 6,024
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Mark, Unusual and interesting sounding tune. Retro on steroids It is long, but it did not felt like it. Good stuff! Enjoyed it. Thank you for sharing! Misha.
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Joined: Jan 2012
Posts: 3,615
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Don't you just love studio one. This is very different and original. Look forward to hearing more. Rob4580
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Joined: Jan 2016
Posts: 1,664
PG Music Staff
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PG Music Staff
Joined: Jan 2016
Posts: 1,664 |
Hey Mark, wowzers! Excellent mixdown on all of this and a solid key signature choice too. Love the effects on the vocals. Thanks for sharing!
Cheers, Joe
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Joined: Aug 2018
Posts: 1,381
Expert
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Expert
Joined: Aug 2018
Posts: 1,381 |
We don't hear enough Piano-Pop on the forum, I think. This is a very spritely number. The piano RT is clearly the star and flows over the rest of the backing with a lot of power and interest. I really enjoyed listening.
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Joined: Jun 2017
Posts: 2,946
PG Music Staff
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PG Music Staff
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It's really cool to see your reasoning behind using the male vocal and saying that you wanted to give off the feeling of them being in a dream world. I think you definitely conveyed that!
Cheers, Ember
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Joined: Jun 2016
Posts: 3,357
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Mark, A bright pop sound. I liked the vocaloid- it suits the song. Your explanation of the male/female vocal balance makes sense, though panning the male voice further l/r might make it more effective."oh yeah`s"fit nicely. Lovely rolling piano track.
Robert
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Joined: Apr 2018
Posts: 1,926
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Mark,
This brings me back to—well, hate to date myself—but 80’s dance clubs; excellent vibe here. It’s not exactly my type of tune, but it’s an impressive effort, weaving together some compelling sounds. Liked it—nice production.
BTW, I have no idea what a Vocaloid is? Anyone have interest in educating a poor, ignorant soul? Thanks much.
Regards,
Deej
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Joined: Feb 2017
Posts: 3,414
PG Music Staff
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PG Music Staff
Joined: Feb 2017
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Wow - what an interesting and captivating tune! Delightfully upbeat, and definitely a change of pace from the usual content found on the showcase. I thought the arrangement and mix was on point too - sounds really professional. Thanks for sharing
Cheers, Deryk
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Joined: Feb 2017
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PG Music Staff
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PG Music Staff
Joined: Feb 2017
Posts: 3,414 |
Also, Mark - Vocaloid is a singing voice synthesizer software original developed by Yamaha. Basically it makes an artificial electronic human voice, and it often very distinct.
Cheers, Deryk
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Joined: Dec 2011
Posts: 7,742
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Very cool tune. Excellent mix
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Joined: Dec 2011
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Cool hearing a markedly different genre on the forum. Great display of digital power with both Biab and Vocaloid. Been a while since we've had a post with Vocaloid. REALLY well done. Stick around J&B
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Joined: Aug 2012
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Mark,
A cool musical piece. Obvious that a fair amount of work went into this...
Enjoyed it.
fj
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Joined: Feb 2010
Posts: 2,175
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Great work and thanks for being a pioneer. The best way to push the tech is to use what we have, despite its limitations. Enjoyed it.
Windows 10, Intel Core I5 10400, 16 gig ram, Scarlett 6i6, Komplete keyboard, Sony Acid Music Studio 11, BIAB 2020 UltraPlus Pak
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Joined: Dec 2013
Posts: 6,992
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Very cool!! Very enjoyable!! What synth did you use? ....sounds great! Love the whole energy of this piece. Great job!! Take care. Greg
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Joined: Nov 2006
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Nice dance rhythm, brings some memories from the 20th century. That Vocaloid fits well in this type of song, I remember when it was trend to use the same vocal sample in several songs.
Janne
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Mark, Great production. Show excellent ear for detail and creative arranging. Yes, it brings back 80s memories.
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