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Teunis Offline OP
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Originally Posted By: TVI

Aah, good one Teunis, and I want to thank you for buying my Pedal Steel, you did it real justice. smile

Here's steel instrumental I used for a demo. I saw David Hartley playing it YouTube and decided it would make a great video. The video is actually David Hartley's hands playing the steel, I recorded the video of just his hands playing so I could see where he was on the neck, and when I got it all done I was amazed at how well my own recording fit the video. smile

https://youtu.be/j_Ypn79rt_s

This is also a video I captured on YouTube, of Jim Bob Gairrett playing a bunch of stuff he made up. Here again I use my steel to play exactly what he played. I had the opportunity to talk to Jim Bob on the phone and he couldn't believe I could do that with midi.

https://youtu.be/v0SuOuMRcyM

This is my website, I created all the music using midi instruments in Kontakt.

https://todsvirtualinstruments.com/


Thanks Tod, I must say publicly I cannot thank you enough for the help you’ve given me. I did not know you were on the BIAB forums although I did read a lot of your stuff on Reaper.

I added the “String Number” to your Toolbar to give me a better indication of where I’m at. I don’t play Steel Guitar so I had to learn a lot.

I also used your Toolbar as a basis to create a ToolBar to set the Capo positions on the AmpleSound guitars (AGM, AGT). This makes a huge difference getting them to play nice. It also taught me a lot.

Creating the Note Name Maps for the Pedal Steel also makes things easier. I use the same approach for the AmpleSound Instruments, VSL Synchron Player and doing similar for others.

It was your influence that caused me to do this and therefore get a heap more out of Reaper MIDI.

Thank you

Tony


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Teunis Offline OP
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I received a lot of good thoughts and suggestions from a number of forum members. I tried changing keys but ended up preferring where it is. I did however change a number of string positions and levels. I also added quite a bit of sample attack settings throughout the song as a result making it a bit less harsh (IMHO). I think it sounds subtly nicer.

Tod’s Pedal Steel has very many options thus it is incredibly flexible. I have not yet scratched the surface on its capabilities,

Anyway here is the new iteration.

https://soundcloud.com/reevant/i-vary-2

Thanks all

Tony

Subtle (a word used by music producers to let you know a change was made that you might not hear)

Last edited by Teunis; 06/25/21 02:34 PM.

HP i7-4770 16GB 1TB SSD, Win 10 Home,
Focusrite 2i2 3rd Gen, Launchkey 61, Maton CW80, Telecaster, Ovation Elite TX, Yamaha Pacifica 612
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TVI Offline
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Originally Posted By: Teunis
Thanks Tod, I must say publicly I cannot thank you enough for the help you’ve given me. I did not know you were on the BIAB forums although I did read a lot of your stuff on Reaper.

I added the “String Number” to your Toolbar to give me a better indication of where I’m at. I don’t play Steel Guitar so I had to learn a lot.

I also used your Toolbar as a basis to create a ToolBar to set the Capo positions on the AmpleSound guitars (AGM, AGT). This makes a huge difference getting them to play nice. It also taught me a lot.

Creating the Note Name Maps for the Pedal Steel also makes things easier. I use the same approach for the AmpleSound Instruments, VSL Synchron Player and doing similar for others.

It was your influence that caused me to do this and therefore get a heap more out of Reaper MIDI.

Thank you

Tony


Thank you for the kind words Tony, Reaper has a lot to offer once you get into it.

Incidentally, I'm hoping to come out with an update on the Steel that will make it easier to play. I'll also have a new toolbar to go with it complete with the custom macros and icons.

Quote:
Anyway here is the new iteration.

https://soundcloud.com/reevant/i-vary-2


I think it sounds good Tony. smile

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