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Joined: Jun 2016
Posts: 3,357
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Posts: 3,357 |
I admit instrumentals often get me drifting into lyric ideas... the changes in yours kybosh that tendency and kept me alert.This is one I`d have to employ the chord mapper to get what`s going on, especially bits I like and might "borrow"!
The melodic guitar keeps it together; the drums a little heavy for my taste.
Robert
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Joined: Aug 2017
Posts: 210
Apprentice
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Apprentice
Joined: Aug 2017
Posts: 210 |
Changing of the modes is a good way to change the mood of the song; Ionian (major) is "happy", Phrygian is "dark", Mixylodian is "happy, but serious". Enjoyed how your song took advantage of these mood swings by changing the mode. The ending on Idim (Locrian) definitely gives a bit of unnerving feel and I think makes the song more memorable not resolving on the familiar major chord (from Ionian or Mixylodian)or minor chord (from Phrygian.) Enjoyed the listen and chance to use my music theory while listening.
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Joined: Jun 2012
Posts: 19,408
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Joined: Jun 2012
Posts: 19,408 |
Tangmo,
Musically this is very clever.
Intuitive, classy, surprising with anticipation and tension.
You've really have done justice to your song.
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
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Joined: Jun 2000
Posts: 1,944
Expert
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Expert
Joined: Jun 2000
Posts: 1,944 |
You've created a nice one here...
That's the neat thing about music...
Every song can be an experiment...
Keep experimenting & learning
Jim
†=☮&♥
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Joined: Dec 2009
Posts: 1,193
Expert
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Expert
Joined: Dec 2009
Posts: 1,193 |
Howdy, 'tangmo'...
I dig musical 'experiments', 'cause I regard the experimenters as questing souls who are not only trying to expand the boundaries of their theoretical musical knowledge, but also are following a path that their spirit is leading them on. As I've said on the Users' forum before, "music is more than sounds".
But as sounds go, your piece reminds me of the modal approach that the late film music composer, Fred Myrow, applied to his score for the 1972 sci-fi film, Soylent Green. His music for that movie has the same 'shape-shifting' feel that On Third Thought has: chordally restless, always seeking a higher musical ground, finding consonance in dissonance, and more.
I think On Third Thought is a novel, quietly other-wordly musical journey that also evokes some finely-felt emotions of the sublime kind. It could've gone on forever, as far as I'm concerned.
LOREN (a.k.a. 'bluage')
P.S. The 'jammy' thing -- you did not desire it to be such??? I think it provides a rhythmic base that sort of grounds and connects the modal flights of musical fancy you unleashed in your composition.
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
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