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Lovely piece...the slightly rough edge to the violin gives it extra texture and makes it cut through the mix even more. Hi Ray ... Country fiddle tracks almost always have a somewhat "crusty" edge to them. I could have selected from the "violin" tracks - vs "fiddle" tracks, but this particular track gave me the melodic feel I was looking for. So, I agree, that edge gives it a bit of character. Many thanks! Alan
BIAB 2024 Ultra Plus-all StylePaks*Win11*32GB DDR5*Rhyzen 9745x*AT 2035 Mic*Peavey Nashville 112 Amp*Ibanez ART120* Acoustic/Electric/Washburn D200S Acoustic*Stromberg Monterey Jazz Guitar Loops: https://aldavidmusic.wixsite.com/bestmusicloops
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Magical. Simply magical. Words cannot do this track justice - at least, none of the words that I'm capable to write, anyway. Took me somewhere else, somewhere over the rainbow where things are nice and people are good to one another. Thanks - NEEDED this, this morning. Hi James ... You are always so kind to my posts! The feeling it gave you is exactly what I was attempting to elicit. You have no idea how much pleasure your description of the piece gave me. The pleasure of having the intent of one's efforts validated is most satisfying. Thank you so much. Alan
BIAB 2024 Ultra Plus-all StylePaks*Win11*32GB DDR5*Rhyzen 9745x*AT 2035 Mic*Peavey Nashville 112 Amp*Ibanez ART120* Acoustic/Electric/Washburn D200S Acoustic*Stromberg Monterey Jazz Guitar Loops: https://aldavidmusic.wixsite.com/bestmusicloops
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Alan,
Wonderfully done! Calm and soothing, as I imagine a viewing of Tyrian purple would be in a lovely sunset. Production is top-notch . . . like others I think the brushes were a perfect choice here, which along with the bass and that warm fiddle carry this super song. If I had one nit, it's at the one minute mark and 3:08 mark on the stops. I find in BIAB for whatever reason the guitars sound a bit louder and harsher on the stop . . . like they strum that one note extra hard. So my suggestion would be to lower the sound on those guitars just a tad to soften the stop . . . if that makes sense. Real minor and most likely a subjective nit, but offering for what it's worth. Excellent work on this!
All my best,
Deej Hi Deej ... It's always a pleasure to hear from you, in addition to hearing the great music you post. And yes, I agree about the excessive loudness of some of the RTs tracks when you give them a "three-dot stop". I brought them down quite a bit, both on the chord input sheet and in Audacity. As soon as I get a little extra time, I'll go back and address that again. The addition of the brushes was a last-minute decision. Glad I went with it! Abd glad you enjoyed it. Many thanks! Alan
BIAB 2024 Ultra Plus-all StylePaks*Win11*32GB DDR5*Rhyzen 9745x*AT 2035 Mic*Peavey Nashville 112 Amp*Ibanez ART120* Acoustic/Electric/Washburn D200S Acoustic*Stromberg Monterey Jazz Guitar Loops: https://aldavidmusic.wixsite.com/bestmusicloops
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Beautiful melody and mood in general. I'm usually not a fan of brushes, but here they work perfectly. Good choice.
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Sublime says it all for us. You are a master of complete BiaB productions. Outstanding in so many ways. J&B PS Bud, as a bass player, feels that RT upright tracks, as with about any studio bass recordings typically need specific eq settings per song to sit in the mix nicely. The jazz upright tracks with more playing up the neck tend to "cut" a little better, IMHO, but as mentioned some manipulation will allow about any of the bass RT's (electric or acoustic) to sit in. FWIW, YMMV and grains of salt
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Watch the Xtra Styles PAK 18 Overview & Styles Demos video.
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 18 requires the 2024 UltraPAK/UltraPAK+/Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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