Does anyone have a vesrion of Autumn Leaves that they are prepared to share or know of a good open BAIB song repository that might include AL? Thanks. Patrick.
A ... decent version..... ? This song is of course beautiful in all its iterations, but the version which changed it all for me, was by Eva Cassidy. Do youself a favor and google her version. Then see if this does it for you.
Honestly I worked this up so many years ago I can't recall if I did this entry into BIAB or found it. It don't really matter - it sounds pretty darn nice.
Autumn Leaves In the Style of Eva Cassidy -- sorry had to pull it - long story.
A ... decent version..... ? This song is of course beautiful in all its iterations, but the version which changed it all for me, was by Eva Cassidy. Do youself a favor and google her version. Then see if this does it for you.
Honestly I worked this up so many years ago I can't recall if I did this entry into BIAB or found it. It don't really matter - it sounds pretty darn nice.
Autumn Leaves In the Style of Eva Cassidy -- sorry had to pull it - long story.
I absolutely love Eva Cassidy's work. It's too bad she went to the great gig in the sky too soon.
Bob ‘Notes’ Norton is perhaps too modest to say this, but he has developed high-quality aftermarket styles that fit many songs. I’m sure he has something for this one.
My approach as a professional musician is to not give away my talents when doing so would deprive another pro musician of work. Thus if I had a version of Autumn Leaves I would not share it if Bob had one available for sale. Bob has worked on his unique business for many decades and deserves to be supported.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
I have loved this version for many years and I too think this is probably the difinitive version - a great BAIB transcription. - Thanks.
I'm trying to further my understanding of music and was watching this guy's (very good) wee analysis of AL... His basic takeaway is that it is a ii V I from the major key followed by the same from the relative minor (vi iii vii of the major) with a linking chord at the end of each 3 bar passage. This seemed to make sense and he doesn't dwell in it - it's a very quick analysis - but this transcription doesn't seem to play out that way. "The falling leaves" bit (the verse) starts off like that but then swerves into ii / iii / vi ?
"I see you lips" is in the relative minor but never hits the vii chord (major), the I (in the relative minor) - I guess this is just jazzers playing around with a theme and not sticking within the constraints of the original song - it does sound great mind you ... just puzzling.
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