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Joined: Aug 2024
Posts: 127
Apprentice
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OP
Apprentice
Joined: Aug 2024
Posts: 127 |
Hi All, This might be an involved post. Thanks to those who have the time and inclination to read it. So first, I've been working on this song for weeks and I'm having a hard time trusting my artistic choices. I could really use ears to help with three different issues which I list below. First, I want to say something about the song. It was inspired by a book called The Fifth Mountain by Paulo Coelho, a story of faith and courage during times of testing. I wrote the lyrics back in 2009 after reading the book. Thanks to BIAB, it's finally taking some shape and I find it quite a synchronicity to be working on it because it feels like a relevant message/tribute for friends in Western North Carolina (some still unaccounted for) who were my family for 10 years. I would really like to get it right. Style is PNOMOOD1.STY (PianoMood1 - Reflective Soundtra) RealTracks in song: 2046:Piano, Acoustic, Solo-Accompaniment CountryPopJohn Ev 120 RealTracks in song: 695:Guitar, Electric, Rhythm ElecRockArp Ev 120 (A:arp) RealTracks in song: 1255:Bass, Electric, PopShiningA-B Ev 120 ReadDrums Congas Ev 16 (single) Loop Chillout_autumn_82_flute_e_minor (treated with flanger and reverb) My questions in order of importance are: - Is the hissing of the flute too annoying? Is there anything I can do about it?
- Do the congas work or is it just messy? I could not find the drums I wanted. I'm open to suggestions if you think something in the Pro pack could work.
- What genre would you call this?
And of course, anything else you notice or care to offer... The song is here: https://on.soundcloud.com/jUgEGhuGnZuR8MfEAThanks for your ears and thoughts!
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User Showcase
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Joined: Jan 2014
Posts: 1,969
Expert
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Expert
Joined: Jan 2014
Posts: 1,969 |
Sounds fine to me and the congas aren't really noticeable to my ears so maybe they're not needed.
Vic
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User Showcase
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Joined: Nov 2008
Posts: 1,671
Expert
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Expert
Joined: Nov 2008
Posts: 1,671 |
Beth, lovely song. Do pray your friends are ok. Know communications are crippling the ability to know the extent of the damage and loss, even still. What a mess...
The "hissing flute" really wasn't noticeable to me. Most flute patches have a breath envelope in the attack. If your flutes were MIDI (and not a loop) you could edit the patch in the synth to reduce the breath attack. But I think it's fine.
The congas at about 2:00 sounded a bit out of sync to me, or at least they didn't feel like they contributed. But I liked the congas at about 4:00 as they seem a nice extra dynamic to drive the song to the conclusion.
Genre? Hmmm. New Age? The relaxing music and message of hope and redemption seem to fit. But I'm neither an expert nor a fan of genre categorization...
BUT...I did love your song!
DC Ron
BiaB Audiophile
Presonus Studio One
StudioCat DAW dual screen
Presonus Faderport 16
Too many guitars (is that a thing?)
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Joined: Mar 2017
Posts: 564
Journeyman
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Journeyman
Joined: Mar 2017
Posts: 564 |
Beth - to my ears any genre 'confusion' possibly arises from the unusual chord structure,
some changes are 'edgy' and although I understand them and can follow them instantly on ac guitar, they twist my ears in places?
Having said that - the fact that you've put the sequeence together and can sing over the top indicates a substantial talent
on your part, how it sounds directs it towards potential listeners (or puts them off).
I wouldn't select chords 'because you can' or because they are possible - great songwriters work with chord sequences which 'feel right' and sound harmonious, you have huge ability as a song writer and singer and I get the impression you're about to do great music & recordings!!
Push on Beth, many new discoveries just round the corner!
Just my ears worth,
Carl
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Here's a small sampling of what XPro Styles PAK 7 has to offer: energetic rock jigs, New Orleans funk, lilting jazz waltzes, fast Celtic punk, uptempo train beats, gritty grunge, intense jazz rock, groovy EDM, soulful R&B, soft singer-songwriter pop, country blues rock, and many more!
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