Chapter 7: RealTracks and RealDrums

RealTracks

What are RealTracks?

RealTracks create Band-in-a-Box tracks with live audio recordings of top studio musicians and recording artists.  These tracks take the place of the MIDI track for that instrument, but can still be controlled just like the MIDI instrument (volume changes, muting, etc.).  Best of all, they follow the chord progression that you have entered, so that you hear an authentic audio accompaniment to your song.

RealTracks are not “samples,” but are full recordings, lasting several bars at a time, playing along in perfect sync with the other Band-in-a-Box tracks.  There are many Band-in-a-Box styles that use RealTracks, and they can be built into any style to replace the Bass, Guitar, Piano, or Strings track.  They can also be generated to the Soloist (or Melody) track using the Soloist feature and saved with the song.

More RealTracks

There are hundreds of RealTracks available, either as separate add-ons, or bundled into the various Band-in-a-Box PAKs for better value.  To see which RealTracks you have, visit the (main menu) Options | What add-ons do I have? dialog.  This will list the RealTracks sets that you have.  This feature is also available from the Help menu.

When a song is loaded, played or saved, a yellow hint message will appear if any RealTracks are missing, listing the files that are missing.

RealTracks Settings

Ctrl+click on the [RealTracks] toolbar button to go directly to the RealTracks Settings dialog, or Shift+click to open the RealTracks Picker.A single click on this button opens a menu with selections for the RealTracks Picker Dialog, the RealTracks Preferences (RealTracks Settings dialog), an option to Select better RealTracks for this tempo for the Bass, Piano, Guitar, and Strings parts if there are any available, and options for replacing MIDI styles with RealTracks.

The RealTracks Settings dialog can also be accessed by selecting the [RealTracks] button from the Preferences dialog or pressing the R T 2 Enter keys.

Enable RealTracks: You can enable/disable the RealTracks feature.

RealCharts (notation from some RealTracks): Most RealTracks now display notation, i.e. RealCharts, showing the notes that are being played.  Some Guitar RealTracks also show tablature and an accurate on-screen fretboard guitar display to show what is being played on guitar.
To see which instruments have RealCharts, visit the RealTracks Picker dialog and see the “Chart” column. Instruments with an “N” or “Gt” in this column have RealCharts.

• Instruments with “Gt” in the Chart column have RealCharts with accurate guitar tab and on-screen guitar fretboard display.
• If the instrument is Acoustic Piano and there is an “N” in the Chart column, the instrument has a Jazz piano RealChart.  RealTracks piano parts that are on the piano track will appear with the right and left hands split in notation.
• The various other instruments with an “N” (Pedal Steel, Slide Guitar, Resophonic, Trumpet, Alto Sax, Tenor Sax) have RealCharts in standard notation.

At the top of the screen, if a track has RealTracks, but is NOT a RealCharts track, then the track name is green. Real Instrument charts: If a track has a RealChart, the track name is green and underlined with a short line. RealGuitar charts: If a track has RealChart, and is a guitar track with accurate tab and on-screen guitar fretboard display, then it is green and underlined with a long line.
The RealCharts can be saved to MIDI files or with Band-in-a-Box songs (MGU).
RealCharts are optional and are selected in the RealTracks Settings dialog.
- Show RealCharts notation from styles and songs will show RealCharts that have been generated from styles or songs stored with RealTracks.
- Show RealCharts notation for Soloists will show RealCharts that have been generated from the Select Soloist dialog.
- Save RealCharts in MIDI files will save the RealChart to a MIDI track so you can analyze it in other programs.
- Save RealCharts in BB Songs (MGU) will save the RealChart MIDI information to the MGU file.

RealTracks Folder: RealTracks are stored in C:\bb\RealTracks (assuming that C:\bb is your Band-in-a-Box folder). You can choose an alternate location by pressing on the folder button and picking an alternate folder.  Then, click on the [Update] button to confirm the new location.

You don’t need to visit this folder when using RealTracks; it is used internally by Band-in-a-Box, so you shouldn’t add or remove files from this RealTracks folder unless you “know what you’re doing.”  If Band-in-a-Box cannot find your RealTracks folder, a yellow hint message appears at boot up to alert you to that and tells you how to fix it.

Global Volume Adjust: You can apply an overall Volume Adjust to the RealTracks.  If they are too loud overall, try a Global Volume Adjust of about -10 dB.

Allow soloing to crescendo can be applied to some RealTracks to have the intensity of the solo building up, with the flashiest part of the solos playing as the solo builds.

Allow Auto-RealTracks substitution based on tempo: If you have similar RealTracks available at different tempos, Band-in-a-Box will automatically choose the best one to use.  For example, if you have a ballad loaded, with an Acoustic Bass RealTracks at tempo of 60, and you speed up the tempo to 140, and press [Play], Band-in-a-Box will automatically choose an Acoustic Bass RealTracks closer to tempo of 140, if it is the same genre and feel.  This means you can use a simple Jazz style, and play it at various tempos, without having to set the best RealTracks based on tempos.
For example, if we load in a Ballad Jazz style like _BALFRED.STY, we can see that the name of the Bass RealTracks style has a tilde (~) symbol at the beginning. That indicates that it could be changed to a different RealTracks style at a higher tempo.

Now let’s increase the tempo of the song to a higher tempo, like 115.We will see that the name of the RealTracks instrument switches to one that is suitable for a tempo=110.  So when you press play, you will hear the RealTracks closest to your tempo, without having to do anything to make this happen.

The default for the tempo swapping feature for RealTracks is “true.”  There is an option in the RealTracks Settings dialog to disable automatic tempo swapping.  When automatic RealTracks substitution is disabled (unchecked) the “Show message when better RT are available at this tempo” setting will be turned on.
A yellow message appears if RealTracks are selected, but better RealTracks are available for the current tempo.You can then substitute them by pressing the RealTracks toolbar button and then clicking on Select better RealTracks for this tempo.
The Tempo Swapping (TS) column of the RealTracks Assign dialog shows which RealTracks are eligible for Tempo Swapping.  The tempo swapping only occurs if you have the RealTracks in your installation.

Speed up generation of RealTracks (disable on show machines): This “speed up” feature works automatically and uses CPU resources during playback.  If you have a multi-core machine, you may not notice this at all, since it will use different cores than the main Band-in-a-Box thread.  If you have an older machine, low on memory, slow hard drive etc., or notice audio glitches during playback you can disable this feature to ensure that your machine is doing less CPU work.

Tempo/Pitch Stretching Quality (reduce on slow machines): This allows you to select quality of the tempo and pitch stretching.  You can select “High” if you have a fast computer, but you should select “Low” if you have a slower computer and are hearing stuttering sounds during playback.

Use +/- RealTracks for generation (enable on slow machines):   This setting is normally left off, but enable it if you have a slower machine.

Use 4 bar endings for songs with RealTracks:   4-bar endings allow time for a natural decay of the instruments.  By “4-bar-endings” we are referring to a 2-bar ending that has an additional two bars to allow for the natural decay of the audio instrument (instead of being quickly faded out).  4-bar endings are on by default.  You can disable 4-bar endings globally by leaving this box unchecked or on a song-by-song basis in the Song Settings dialog, Edit | Song Form | Settings (for this song).

Add Reverb to RealTracks:  When this is set, reverb will be added to the RealTracks and RealDrums.

Allow RealTracks Shots, Holds and Pushes:  RealTracks support Shots, Holds, and Pushes.  Simply type in the chords as you normally would, adding periods (…) for shots and holds, and the RealTracks will play them.The RealTracks Assign dialog that lists each RealTrack has the last column called “Holds” that lists whether that RealTrack supports Shots, Holds, and Pushes.  If there is a number there (other than a blank field), then they are all supported.If there is an “n” this means that they are supported, but you don’t have the Holds_## files in the RealTracks\Library\Holds folder.

Assuming that you have the Holds files for the RealTracks that you are generating, then you just use Band-in-a-Box as you would normally, and type chords with shots (e.g. C.. ), holds (C…), or pushes (^C or ^^C for 8th or 16th note push), or combinations of push and hold (^C….).

On Jazz RealTracks, JazzUp Triads to Sevenths: Many Jazz comping styles play triads (instead of 7ths) when simple triads are entered, instead of “jazzing them up” to 7ths chords.  Enable this setting if you prefer to have triads automatically “jazzed up” when comping using Jazz RealTracks.

Auto-replace MIDI Styles with RealTracks styles when songs loaded: If this is set, when an old song with a MIDI style loads a RealStyle may get substituted automatically, making your songs sound better.  You can reverse the substitution in the RealTracks toolbar menu by selecting Restore Style prior to Style Alias.

When Load/Save VST and FX with Songs is set, songs or styles with VST synths and FX will have them loaded with the song.

Reduce Volume of RealTracks to match MIDI: Uncheck to preserve the original levels of the audio, and not reduce it to match the lower levels of MIDI tracks.  This is useful while rendering and transferring files to a DAW.

Adjust Push Velocity / Adj.Shot Velocity: If you find that RealTracks (other than Drums) pushes or shots are too loud (soft), then put negative (positive) numbers here.  (Note: Drums are set in RealDrums Settings dialog.)

Automatically fill gaps between fills: If this is enabled, gaps between generated riffs will be filled using automatic settings.  Note that manual settings for individual RealTracks will override this.

The [Defaults] button sets RealTracks Settings back to default settings.

The [Demos] button displays a menu of song demos with RealTracks in the C:\bb\Demos\RealTracks - Demos folder.

The [Assign to Track] button launches the Assign RealTracks to Track dialog, where RealTracks instruments are listed and assigned to Band-in-a-Box tracks.

Save the new settings you have made in this dialog by pressing the [Update Settings] button.  Most changes will take effect the next time you press [Play].

Press the [Erase Un-needed +/- Files] button to erase unneeded files from the RealTracks folder.

The [Verify] function checks your installation to find if RealTracks are properly installed, or any files are missing.
1. It checks the Bt0 status of the RealTracks st2, compared to the Bt0 found in the RealTracks folder.
2. It issues error messages if a st2 is found, but not the RealTracks folder.
3. Issues a message if xt2 not found (for a chording RealTracks).

The [Find and Fix] button searches for missing RealTracks ST2/XT2 files in the C:\bb\Soloists folder and reports any installation errors.

Press [OK] to make your selection and exit the RealTracks Settings dialog.

Using RealTracks

There are three ways that you can use RealTracks with Band-in-a-Box.

1. RealTracks in songs : Shift+clicking on the [RealTracks] toolbar button opens the RealTracks Picker, which allows you to assign specific RealTracks to any track in a song. It also displays the current RealTracks that are assigned to each track.

2. RealTracks in styles : RealTracks can be built in to styles, so you can have styles that are all MIDI, a mix of MIDI tracks and RealTracks, or all RealTracks. Styles that use RealTracks only are called RealStyles. Open the StylePicker and locate the Type button above the styles list. This button allows you to filter the list by the type (Real or MIDI). If you want to see the RealStyles, select Real (no MIDI). If you want to see the RealStyles and styles with RealTracks and MIDI tracks, select Real and Real w/MIDI. The style names for RealStyles are prefaced by an underscore, _. The style names for styles with RealTracks and MIDI tracks are prefaced by an equal sign, =.

3. Real Track Soloists : These are Soloists that are generated on the Soloist track, by pressing the Soloist button on the main screen.  Soloists 361 and above are using the RealTracks.

Using RealTracks in Songs - RealTracks Picker

The RealTracks Picker window allows you to assign a specific RealTracks instruments to a track in a song. It also displays any RealTracks that are currently assigned to each track.

The RealTracks Picker window opens by Shift+clicking on the [RealTracks] toolbar button. The hotkeys are R T Enter or R T 1 Enter.

To use the dialog, first select the track that you want to assign at the top left corner. Then, select the RealTracks for that track from the list.

Using the [Super], [MIDI] and [RD] buttons, you can assign other types of tracks (MIDI SuperTracks, MIDI and RealDrums) to the selected track. The [Fav] button opens a dialog that lists favorites followed by recently used RealTracks. The [*] button assigns the highlighted RealTracks to a favorite. The [Similar] button opens the Find a Sub dialog that lists RealTracks similar to the currently selected one.

A filter is available. Type a filter text (e.g., bass) in the Filter by field, and press [Update]. You will then see the list filtered to show only RealTracks that have the word bass somewhere in the title, memo, genre, etc. The [#] button allows you to quickly filter the list by many elements including type (soloist/background/chording), feel (even/swing, 8th/16th), time signature, artists, etc. Pressing [Show All] will cancel the filter and show all RealTracks again. Multiple search terms work with the filter. If you separate terms with a space, each term is searched for separately. So, a search for "Country Guitar Ev 120" will find any Country Guitar styles with an even feel that would work with a tempo of close to 120. Adding a search term that has a number will filter for RealTracks that match the tempo or within a compatible range.

You can instantly hear an audio demo by double-clicking a RealTrack on the list.  Since this doesn’t affect your song, you can quickly audition many different RealTracks and find the best ones for your song.

You can choose which of band or solo plays first when you double-click on the list, by the Band (on Double Click) checkbox.  Otherwise, press the [Band] or the [Solo] button. The preview sometimes plays files from the internet.  You can download a file that is being played from the internet by clicking on the folder this button.  If the file is being played on your hard drive, the folder button will show the file in a folder. You can control the volume of the demos with the speaker button.

You can right-click on the list to see a menu with commonly used functions. For example, you can toggle a favorite, list only favorites, clear filter, find similar RealTracks, launch the StylePicker showing only styles that use the selected RealTracks, and do more.

The list can be sorted by clicking on any column heading.  As well as Name, Instrument, Type (Rhythm or Soloist), Feel (Even or Swing), Tempo, Genre, and Number, there are more columns with additional information about each RealTrack.

• The “Tempo” shown is the “base” (or typical) tempo for the RealTracks instrument as it is played, but RealTracks have a tempo stretching capability that enables their application over a wide range of tempos.  If saving a song with RealTracks and the audio base tempo is different from the song tempo, a warning message will show, asking you to confirm that you want to save it like this.
• The “N/A” column shows “N/A” for RealTracks that you have not installed yet or haven’t purchased, if “Show RealTracks that are N/A” is checked.
• “Set” is the number of the RealTracks set that includes the instrument.  This column also tells you whether a video is available for the RealTracks.
• The “Stereo” column shows whether the instrument playback is stereo or mono.
• Instruments with an “N” or “Gt” in the “Chart” column will display the RealTrack in notation.
• The “Artist” column has the name of the musician playing on the RealTrack instrument.  See the “Artist Bio” box for information about the player.
• The letter “Y” in the “TS” column means that Tempo Swapping is supported for the instrument.  If you have similar RealTracks available at different tempos, Band-in-a-Box automatically chooses the best one to use.
• “Holds” indicates whether that RealTrack supports shots, holds, and pushes.  If there is a number there (other than a blank field), then they are all supported.
• “Simpler Available” will have a letter “s” in the column if the RealTracks instrument has simpler options available.  These are parts with less busy, less embellished playing for generating simpler arrangements.
• “Direct Input Available” has a letter “y” if the instrument offers the option of clean recordings without effects.  This allows you to start with a clean track and add your own effects.
• The “Stems” column sthe number of individual instruments/voices available.

RealTrack Stems: When you select a RealTracks that has stems, you will see what they are just below the list. Using the checkboxes, you can load all stems, the selected stems, or the mix of all stems for your song. If you select all or individual stems, each stem will be loaded to separate tracks, so you can control volume, pan, etc. for each stem using the Mixer.

Memo: This describes the currently selected RealTracks style, and includes some useful tips, such as a suggested tempo range and Band-in-a-Box styles to use it with.

Artist Bio: The RealTracks have been recorded by top studio musicians.  The artist names and bios are displayed for the RealTracks.  Double-click here to open the Artist Browser, which lists all artists and allows you to see more info.

User Memo: You can enter your own comments about any style in this field.  The comments are saved in RTUserMemos.txt.

Song/Style Demos: Use the song and style demos to audition RealTracks. The [Song Demo (MGU)] button will display a list of songs in the C:\bb\Demos\RealTracks - Demos folder that use the selected RealTrack instrument.  Click on the song name and then press the [Play] button to hear it. The [Style Demo (.STY)] button shows a list of styles that use the currently highlighted RealTracks instrument.  Clicking on a style name will load the style into the current Band-in-a-Box song.  Press [Play] to hear your current song played with the RealTracks style that you want to audition.

With the Timebase option, you can play the selected RealTracks at normal, half time, double time or triple time.  Half time is used for fast tempo songs when a much slower tempo RealTrack has been chosen.  Double time is used for slow tempo songs (e.g. ballads) when a much faster tempo RealTrack is chosen.  This allows you, for example, in a ballad at a tempo of 70, to add a RealTracks Sax solo with a tempo of 140, and play it as a double time, which will match the ballad tempo of 70.

The [Medley] button allows you to create a medley of RealTracks on the same track.

If Bluesy is checked, the selected RealTracks will play in a bluesy style, where major triads are treated like 7th chords.

If Simpler is checked, the selected RealTracks will play a simpler arrangement (less busy, less embellished).  See the “Simple Available” column for availability of simpler RealTracks.

If Direct Input is checked, the selected RealTracks will use a “clean signal” guitar so that you can add your own effects.  See the “Direct Input Available” column for availability of clean recordings.

Sometimes you want the very simplest comping part possible, which is just “held chords” for the whole piece.  This would mean that the piano player, for example, just plays a single chord and holds it for the duration until the next chord.  If you check Held option, the selected RealTracks will play held chords.

The [Defaults] button sets the dialog to default values.

The [Prefs] button launches the RealTracks Settings dialog.

The [Save Style] button saves the current style, but with RealTracks assigned to the style equal to the current song’s RealTracks.  The volumes used in the style will match the volumes set on the main screen in Band-in-a-Box (compared to a default of 90).  For example, if you set the bass volume to 40, the Style will be saved with a negative decibel (dB) setting, so that it will playback at a quieter volume (when all volumes are set to 90).

The [None] button sets the current track to no RealTracks assigned for the song.

The [Clear All] button sets all RealTracks for the song to “None.”  It will also optionally disable RealTracks present in the style for this song.

Select Disable RealTracks for this track (Force this track to MIDI) if you don't want RealTracks for this track, even if the current style specifies a RealTrack.

Show RealTracks that are N/A: Since RealTracks are add-on purchases for Band-in-a-Box, your version may not contain all RealTracks.  Selecting this checkbox will show you all available RealTracks.

Some RealTracks have variations available, such as the Acoustic Jazz Bass, which has variations that play in “2” only, in “4” only, or in “2”and “4” (for “a” and “b” substyles). Select Show RealTracks Variations option to see such RealTracks

Use theShow if Tempo is out of Range checkbox to show/hide RealTracks that are out of compatible tempo range.

The [Generate Track] button will generate a RealTracks instrument on the currently selected track.

The [Copy List] button will save the current RealTracks list to a tab-delimited .txt file in the C:\bb\Data folder and open it in Notepad.  In Notepad copy all and paste it into an Excel file. You can then apply a hierarchical sorting of the list.

The[Close] button will close the dialog without generating any tracks. Then, when play is pressed, the tracks will be generated.

Press the [Cancel] button to cancel your selection and leave the dialog.

The [Rebuild and Fix] button rebuilds the list of RealTracks and reports any installation errors.  Press after you have installed new RealTracks.

If the Show Error messages  option is checked, Band-in-a-Box will display RealTracks installation errors when you open the dialog. 

Artist Browser

Clicking on the artist bio in the RealTracks/RealDrums Picker or the [Artist Bio] button in other RealTracks/RealDrums selection dialogs will open the Artist Browser dialog.

• It lists all artists and the instruments they play.
• It shows the total number of artists.  
• You can read the biography of the artist.
• A text filter is available.
• The [More Info] button will launch the PG Music web page.
• The [OK - Show Artist RealTracks] button will go back to the RealTracks/RealDrums selection dialog and list all the RealTracks/RealDrums that the selected artist plays.

12-Key “Woodshedding” RealTracks

Many people use the RealTracks feature in Band-in-a-Box to learn how to “play like the pros.”  This is because you can see notation, tab, on-screen guitar, and more as you hear the music.  Now we’ve taken this to a higher level, by providing some “12-Key” RealTracks that have been recorded in all 12 keys.  In previous versions, you might decide to learn to play by studying the parts played by the RealTracks artists and watch the notation to do so.  Many people have found this a great way to learn, but it had the following issues.

• Since RealTracks were based on only 5 keys, they were transposed much of the time, which would make the guitar part unplayable for a student in some cases.
• The tab/notation was good for guitar, but lacked some precision and graphical representation of bends, hammer-ons, pull-offs. and slides.

So we have solved that by creating some Guitar RealTracks with:

• recording in all 12-keys.  So you can see what a pro would play over an Ab chord, and you won’t see them play on a G transposed up to an Ab,
• and carefully transcribed notation, with correct bends, hammer-ons, pull-offs, and slides.
• So now you (we!) students have no more excuses!  You can watch and learn from the pros!

So now you (we!) students have no more excuses!  You can watch and learn from the pros!

We have made some of these for country guitar (Brent Mason), piano (Mike Rojas), and pedal steel (Eddy Dunlap).  For guitar, this means that they are typically generated with no transpositions on any chord so that you can learn by copying exactly what you see on the fretboard.  In combination with another new feature, we have (Hi-Q RealCharts and guitar display), this gives you great notation and guitar display.

Using RealTracks in Songs - Select Best RealTracks

This dialog shows you the RealTracks that best match the genre, tempo, feel of your song.  The list is displayed from best to worst.  For example, if you have a Jazz Ballad style loaded (tempo 60), the list will show Jazz RealTracks that will work well at a tempo of 60 at the top of the list.

To add a “best” RealTracks to any track, right-click on the use the Track radio button.  You will then see menu items for “All” RealTracks, “Chording” RealTracks, and “Soloist” RealTracks.

The Select Best “All” RealTracks menu command will list all types (background and soloist) of RealTracks.  The Select Best “Chording” RealTrack menu command will show you a list of ill background (chording or melodic) RealTracks, and Best “Soloist” RealTracks will list the best soloist or background soloist RealTracks.  Selecting one of these menu commands will open a dialog that lists the best RealTracks, sorted from best to worst for the current style.

If you want to filter the list, enter text or press the [#] button.

You can audition the RealTracks by double-clicking on the list or using the transport control buttons.

You can choose options (timebase, bluesy, simple, etc.) for the selected RealTrack.

Enabling the List best subs for the current RealTracks option will list RealTracks that are similar to the currently selected RealTracks.

Pressing the [Artist Bios] button opens the Artist Browser, which lists all RealTracks artists and allows you to see more info.

The [OK and Generate Now] button closes the dialog, entering the currently selected item, and generating the track.

You can also make your choice and press [OK] to return to the main screen.  When you press [Generate and Play] the song will be generated with the new RealTrack instrument.

Select Best Sub RealTracks

Musicians with bands are familiar with the need to “find a sub” when you’re looking for a replacement.  In Band-in-a-Box, “Find-a-Sub” means to find a different RealTracks that is the most similar in sound (genre, feel, tempo, and time signature). This helps to “freshen up” or vary the sound of an arrangement and allows you to explore different sounds for the band.

To find a sub for a RealTracks, if the RealTracks to be subbed is on a track, right-click (or double-click) on the track radio button, and then go to Select RealTracks | Find Best Sub.

You will then see the Find a Sub dialog, which lists the RealTracks that would work best as a sub, sorted from best to worst.  You can double-click on the list to audition, and when you find one you like, press OK.

If you don’t have a RealTracks already on the track, go to Select RealTracks | Select Best “All” RealTracks.

In the dialog that opens, select a RealTracks that you want to sub, and enable the “List best subs for the current RealTracks” checkbox.

This will sort the list showing you the best subs.  Select a RealTrack from the list and press OK.

(Re)Generate RealTracks for Regions

You can (re)generate RealTracks for regions of a track instead of the whole track. There are several ways to do this.

(Re)Generate RealTracks for Regions - MultiPicker Library Window

Press the [MultiPicker Library] toolbar button or go to Edit | MultiPicker Library. You can also press the F7 or M Enter keys.

In the MultiPicker Library window, select a RealTrack from the list and press the [Part.Gen] button to open a small panel. You then specify the range based on either the full bar boundaries or precise regions in bars/beat/ticks and then press the [Re-Gen this Range] button.

(Re)Generate RealTracks for Regions - MultiRiff Dialog

This feature allows you to interactively create sections of RealTracks on any track by choosing from multiple candidates (up to 20). Generate riffs for a section of a track, audition them, and pick one, either replacing or merging with the existing RealTracks. This can add life to old tracks, by improving sections that had problems to a better riff!

Press the F8 key to open the dialog. You can also open it from the Track radio button menu or the Track Settings and Actions dialog.

Select a region (e.g., 4 bars from bar 5) and press the [Generate Now] to get a riff. You can press this button again to get another one. You will hear them as you do it and you can navigate through them with the [Previous]/[Next] buttons. You can add a memo like a keyword or your score out of 10, which makes it easier for you to decide which one to pick. For a given RealTrack (e.g., guitar), you can of course generate that guitar, but you can generate any other RealTracks as well, either replacing or merging with the existing RealTracks.

Track: Select the track to generate or regenerate riffs. The track can be an existing RealTrack or empty.
Alternate RealTrack: You can use an alternate RealTrack (other than the main RealTrack) on the track, either replacing or merging with the main RealTrack. For example, you can generate a pedal steel riff on a mandolin RealTrack. This is optional.
[Main RealTrack]: This lets you choose a RealTrack to use as the main RealTrack on the track.
[Alternate RealTrack]: This lets you select an alternate RealTrack.
[X]: This quickly clears the alternate RealTrack.
Silence: When this is checked, silence will be generated, replacing the existing RealTracks over the range. This is useful for arranging or tidying up small glitches.
by Bars: Select this if you prefer to enter a range, using the starting bar, the chorus, and the number of bars.
Start Offset: This setting can fine tune the range. The unit is ticks, which are 120 per beat. For example, entering 60 would start the range 60 ticks (half a beat) later.
End Offset: This setting can fine tune the range. The unit is ticks, which are 120 per beat. For example, entering -40 would end the range 40 ticks earlier.
[Update]: This notifies the program to update the range you have entered.
by Range: Select this to enter the range to use for the generation. The format is bar.beat.tick separated by periods. There are 120 ticks per beat. For example, 3.2.50 would be bar 3, beat 2, tick 50.
[Snap]: This snaps the entered setting to the nearest bar boundaries.
Allow lead-in: This allows some riffs to start 1-2 beats early as a pickup.
Generate an extra beat (for Soloists): Soloist often end a phrase by playing a single note on the next bar. For example, if you are generating riffs for 4 bars, you will hear a note on the first beat of the 5th bar to end the phrase.
Overwrite (replace) existing: If this option is checked, the new riffs will replace the existing one on the track. Uncheck it if you want to hear both of them playing at once.
Different Riffs: This option determines how the riffs will be different from previous ones. If it’s set to “Entire riff is different,” each generation will be different from previous ones. If it’s set to “Start of riffs are different,” the first bar of the section generated will be different from previous one. If it’s set to “Allow some duplicate riffs,” the generation might be similar to the previous one.
[Play]: This will play the song, starting a bar before the beginning of the new generation. It does not generate the other tracks. If you want to do that, choose the [Full Gen.] button instead.
Auto Play: If this is checked, then when a new riff is generated, you will hear it right away. This applied to these buttons: [Generate New], [Previous], [Next], and [Original].
[Full Generation]: This will generate all tracks so that you hear a full arrangement.
[Original]: This returns the current riff to the original riff present on the track before you used this dialog or pressed the [Accept] button.
Memo: You can add a memo like a keyword or your score out of 10, which makes it easier for you to decide which one to pick.
Riff x/x: This shows the current riff number in the list and the total number of riffs. For example, Riff 3/5 means the current is the third riff of 5 riffs total. You can make more (up to 20) by pressing the [Generate New] and navigate through the list until you press [Accept].
[Previous]/[Next]: You can generate up to 20 different riffs at a time. These buttons let you navigate through them.
[Accept]: Press this button when you are happy with a riff and want to add it permanently to the track. This will remove the rest of the riffs in the list, and you can generate new riffs for a different range.
[Revert]: Press this to return to the original riff in the track when you opened this dialog (or changed a track or pressed the [Accept] button to make the riff permanent).
[Forget]: This allows Band-in-a-Box to “forget” the previous ones so that you can generate using all the available ones. Note that re-generation from a different bar, different track or different song will “forget” the previous re-generations, so you likely won’t need to press this button much, if at all.
[Generate New]: This will generate a new riff for the selected range. You can keep generating new riffs (up to 20), press the [Previous]/[Next] buttons to navigate through them, and then choose one to add to the track by pressing the [Accept] or [Close] button or changing tracks.

(Re)Generate RealTracks for Regions – Auto Generation

Yyou can re-generate sections of RealTracks by simply highlighting the section and pressing Ctrl+F8. This generates a different part each time, so you can keep regenerating to find the best replacement. You can also re-generate using different RealTracks than the original. Normally, you would choose to replace the existing part but you can also set this to merge so you will hear both parts. This also works with different RealTracks than the original on the same track.

Let’s open a song that has a soloist (e.g., saxophone soloist). Now, press PLAY to generate the song. We’ll focus on the sax soloist track since we want to fine tune the solo to our liking.

First off, select the track using the Mixer.

Now, listen to the solo. Let’s say you don’t like what the sax plays for four bars, starting at bar 9. Highlight the bars 9-12 by dragging on the Chord Sheet. You can also do this in the Audio Edit or Notation window.

Let’s generate the selected section. Either press Ctrl+F8 or right-click on the track radio button and go to Track Actions | Auto Regenerate Part of RealTracks.

That’s it. You will now hear the song start playing at bar 8 (one bar before the section to provide a lead-in) and then you will hear the new solo that’s generated just for these two bars.

A great thing about this is that the solo generated will be different from the previous one(s) you’ve generated. If you don’t like the new one, try again and generate another one. You can keep going and generate up to 40 variations. And another great thing is that they all will be different from each other.

If you find one you like, great! Just stop and continue, maybe moving to another section of the song or switching to a different track or something else entirely.
So, the Ctrl+F8 keys can become your “Fix-it” tool for fixing any section of any RealTracks that you don’t like, including soloist, background tracks, comping etc.

(Re)Generate RealTracks for Regions – Regeneration Window

If you you want a more customized approach to regenerate these sections, there is a floating Regeneration window, which allows you to make settings to customize the type of re-generations.

Let’s press Alt+F8 or right-click on the track radio button and go to Track Actions | Regenerate Window.

This isn’t a dialog; it’s a floating window, so you can do any other Band-in-a-Box function as you keep this window open.

There’s a track selector to confirm or change what track you want to re-generate.

You can set or change the current track using the [Main RealTrack] button.

You can generate a different RealTracks by pressing the [Alternate RealTrack] button and selecting an alternate RealTracks. For example, you may want 4 bars of a flute solo instead of sax but want to keep sax as the main soloist on the track.

Pressing the [X] button will clear this selection.

The [Undo] button will undo the last generation. (Note that you can also choose Edit | Undo or Ctrl+Z to do this.)

You can generate based on either the full bar boundaries or precise regions including bars/beat and ticks. This is done with the Bar based range optionWhen this option is selected, you will see Bar, Chorus and Number of bars. The [<<] button will set to the beginning of the song, and [>>] button sets to the end.When this option is not selected, you will see a precise range in bars/beats/ticks. The [<] button moves to the beginning of the bar. The [<<] moves to start of song. [>] moves to end of bar. [>>] moves to end of song. If you make selections on the Chord Sheet, Audio Edit, Piano Roll, or Notation window, these settings for range will update. For example, if you select a range on the Audio Edit window, you will get that precise range as long as the “Bar based range” option de-selected.

The [Options] button shows options for the partial regenerations.

Allow Lead-in allows some of the re-generations to start early as a pickup to the range you’ve selected.
Generate an extra beat will finish the riff up to 1 beat after the selected range.
Overwrite (replace) existing will make the generation replace the existing part. Setting it to false will merge with the existing generation. For example, maybe you have a sax solo and would like to have sax and flute soloing together for a few bars. You can use this setting to accomplish this by setting this option to false. Remember to set it back to normal when you prefer the re-generations to “replace” instead of “merge.”
Auto-Play will play the song from the bar before the selected range, so you can hear what it sounds like.
Different Riffs determines how the riffs will be different from previous ones. If it’s set to “Entire riff is different,” each generation will be different from previous ones. If it’s set to “Start of riffs are different,” the first bar of the section generated will be different from previous one. If it’s set to “Allow some duplicate riffs,” the generation might be similar to the previous one.
[Forget Recent Riffs Used] allows Band-in-a-Box to “forget” the previous ones so that you can generate using all the available ones. Note that re-generation from a different bar, different track or different song will “forget” the previous re-generations, so you likely won’t need to press this button much, if at all.

Edit RealTracks/RealDrums Tracks

You can copy, cut, paste, delete, insert, and do other editing functions to the RealTracks and RealDrums tracks. This allows you to edit the tracks while preserving the ability for the tracks to regenerate new material, and the file size saved is tiny as the track isn't converted to audio

You can use these functions on the Chord Sheet, Notation window or Audio Edit window.

There are two ways to use the functions. One is to use the new items in the track’s right-click menu.

Cut Riff removes a range of riff and copies it to the clipboard.
Copy Riff copies a range of riff to the clipboard.
Paste Riff pastes the copied riff to the current location, overwriting the existing riff
Paste Riff - Relative to Copy Point pastes the copied riff to the same relative location in the bar as the copied portion. For example, if the copied riff started at beat 2, the relative paste will start at beat 2.
Paste N copies of Riff pastes the copied riff to the current location and repeats the paste by the specified number of times.
Paste Riff - Merge with underlying audio pastes the copied riff to the current location and merges it with the existing riff so you will hear both riffs.
Erase Riff (range of MIDI and RealTracks) erasesa region of RealTracks and related MIDI notation.

When you look at the Regenerate window, the range is automatically selected for the highlighted area. Now, press the [Copy] button to copy the riff to the clipboard.

Move the time line to the location you want to paste the copied riff and press the [Paste] button. This will paste the riff to the destination.

If you want to paste the riff and merge it with the existing riff at the destination, press the [Paste Merge] button instead. If you want to paste the riff to the same relative location in the bar as the copied portion, use the [Paste Relative] button. For example, if the copied range started at beat 2, the relative paste will start at beat 2. The [Paste Multiple] button lets you select the number of pastes. Hold down the Shift key as you click on this button to make the pastes merge with existing riffs. The [Paste Merge] button pastes the copied riff to the current location and merges it with the existing riff so you will hear both riffs.

Generate Seven Variation of WAVs

You can quickly generate 7 variations of WAVs from the same RealTrack for either a portion of the song or the whole song.

Right-click (or double-click) on a track button at the top of the screen and go to Select RealTracks | Generate Seven Variations of WAVs.You will then see a dialog with a list of available RealTracks. Select a RealTrack and press OK. If there is one already on the track, it will be the default option in the dialog and you can just press OK.

Once the WAVs are successfully generated, you will see a message, and they show up as 7 different tracks, numbered from 1 to 7.

They are rendered as WAV files and are ready to be dragged from the Drop Staation to the Explorer or dropped into your DAW program.

You can audition them individually by enabling the [S] button on the Mixer. Playing them all at once will result in a “cacophony” of 7 RealTracks at once, which might be OK for strumming guitars, but not so good for 7 solo saxophones playing different phrases.

If you’ve generated a region of the song, pressing the F10 key will play the song looped with the current highlighted region so that you can just hear the riffs.

Playable Tracks (RealTracks/RealDrums/MIDI SuperTracks/MIDI)

This cool feature allows you to add MIDI notes (via the Piano Roll window) to the same RealTrack that is playing. And you will then hear that MIDI track playing, in most cases using a MIDI sound created from the RealTracks recording session. This means you can get the RealTracks to play the notes you want at key parts of the performance, either augmenting or replacing what the RealTracks is playing, for the section you want to change.

When you open the Piano Roll or Notation window for a RealTracks track, the notes you see are RealCharts, which are silent MIDI. You can see them, but they don’t actually play during playback. With the Playable Track feature, you can make some of these notes playable.

To enter Playable Track notes in the Piano Roll window, press the [Playable Track] button on its toolbar.

You will then see a message to confirm that a Hi-Q patch plugin will be installed on the track. Press OK to proceed.

Now, the button gets the green borders to indicate that you are in the Playable Track mode. In this mode, any note you enter will be heard during playback unlike RealCharts notes.

You can enter a note by holding the Shift+Ctrl keys and clicking where you want to add a note. A note will be entered with the duration selected in the “Dur” drop-down menu. It will snap to the nearest grid boundary if the “Snap” setting is enabled. After you have entered a note, you can change its location by dragging it.

The notes you have entered show in green and will be heard during playback along with the RealTracks audio. But you would want to have your own notes play in place of the RealTracks audio. So, right-click on the window and selectCreate Mute Region to mute generated accompaniment from the contextual menu. This will add a green label at the top. You can extend it by dragging horizontally. When you play the song, the RealTracks audio in this region won’t be heard, but the green notes you have entered will be heard. If you regenerate the RealTrack, it will be outside of this is region.

There is also a feature to change the RealChart notes in a region to Playable notes. Select the notes, click on the arrow button to the right of the [Playable Track] button, and select Change selected notes to Playable from the drop-down menu. The selected notes will then become green and be heard during playback.

You can also set volume for the Playable Track note with the control area to the right of the arrow button.

There are many possibilities you can do with the Playable Track feature. For example, the MIDI version of a pedal steel does not sound realistic, but if you add some pitch bends events, it will sound much bette.!

Changing RealTracks at any bar

You can have RealTracks styles change within a song.  There are two ways to change RealTracks at any bar.

Change of RealTracks Styles at any bar

You can change styles with RealTracks at any bar.  For example, switch from Jazz Swing to Bossa style at any bar. 

To do this, first open the Edit Settings for Bar dialog (press F5) at the bar that you want the style change.  Then press the [.STY] or [Open] button to select a style.

Change of individual RealTracks instrument for any track at any bar

You can change specific RealTracks without changing the style by inserting a specific RealTracks instrument into a track at any bar to create a customized performance.  For example, you can change an Acoustic Bass comping part to an Acoustic Bass Solo. 

To change the RealTracks instrument for any track at any bar, first open the Edit Settings for Bar dialog (press F5) at the bar that you want the style change.  Then press the [RealTracks] button and you will see the RealTracks changes dialog where you can choose which tracks you would like to have RealTracks changes on.

Select the track you want to change, and then press the “Change RealTracks to...” dropdown arrow.

You will see a huge list of RealTracks, so you will likely want to narrow it down. Type a word that is included in the RealTracks name like “bass,” and the list will only show bass RealTracks.

You can preview the selected RealTracks by double-clicking on the list or using the transport control buttons.

Click on your selection and then choose [OK].

RealTracks Medleys

In Medleys, the RealTracks is made to switch instruments every “N” bars or every chorus.  For example, you can add a Bluegrass Medley Soloist that switches between solos from Mandolin, Guitar, Banjo, and Fiddle every 4 bars.  Or a Jazz Medley Soloist that switches between Alto Sax, Trumpet, Piano, and Guitar solos every chorus.  Or insert “Silence” as one of the instruments, which allows you to play your own instrument.  Use the pre-made Soloist Medleys included or create a custom one yourself on any track.

There are 3 ways that you can get RealTracks with Medleys (changing soloists).

1. Some styles have them built-in (e.g. _DIXMEDS.STY).

2. Some RealTracks have Medleys built in, applicable to all songs.  Look in the RealTracks Picker, and search for a filter term “Medley.”  You will then see Medleys that are available.

3. You can define your own Medley, to be saved with the current song only.  To do this, start in the RealTracks Picker, with the RealTracks that you want as the first of the medley. Then press the [Medley] button.  You will then see the Create a Medley of different RealTracks dialog.In this dialog, you can specify how often you want the RealTracks to change and create a list of instruments that you want to have included.  You can also control the loudness of each instrument. In the example shown, we have created a Medley from RealTracks 361 (Tenor Sax), by adding Clarinet and Flute, and having them change soloists every 4 bars.

When you are choosing RealTracks to use, note that there is a RealTracks available called “Silence.”  This is to be used when “you” want to play, for example, if you want to trade 4’s with the band.

The option to Start on second item in the list is useful if you want to start on a different instrument or start with “Silence.

Multiple RealTracks at the same time on the same track

You can use this feature to add up to 10 RealTracks to play simultaneously on the same track.  This is useful if you want to generate a lot of RealTracks, the theoretical limit would be 7 tracks x 10 per track = 70 RealTracks instruments playing at the same time.

Multiple RealTracks are created like Soloist Medleys (as described above), but you also select the option Play All Simultaneously.  Then all of the instruments will play at all times.

RealTracks Thickening and Panning

When you select multiple RealTracks on the same track and have them play simultaneously, the followings are possible.

- The RealTracks can be the same but will play differently on each sub-track.

- You can set the stereo panning (-64 to +64) for each sub-track.

To do this, select a RealTracks at the top row, and press the [Duplicate] button.  This will create a specified number of duplicates of the RealTracks selected.  Set the stereo panning for each to create a “thickened” sound.

When you play the song, you will hear a fuller sound with smooth transitions from chord to chord.

Thickened and Panned RealTracks

The C:\bb\Documentation\Tutorials\Tutorial - BB2024 folder has demo songs that have multiple RealTracks on the same track with the stereo panning set for each sub-track.

_BAILE Demo - Baile Thickened Horns Latin Funk.SGU
_HEARTH Demo - Hearth Thickened Aahs Americana.SGU
_SMOOTHR Demo - Smoother Thickened Oohs R 'n' B.SGU
_TRAMCAR Demo - Tram Car Thickened Mmms Stride.SGU

To find styles with the thickened and panned RealTracks, open the StylePicker, and type “thickened” in the text filter.

In the RealTracks Picker, you can easily identify the RealTracks with this feature by Multi[Thickened=#] in the name.

If you select one of these RealTracks and press the [Medley] button, you can see how the panning is set for each sub-track to achieve a thickened sound.

Video RealTracks

When you load a video RealTracks, you can use it just like an audio RealTracks but you can also generate a video, which will display the musician playing your song exactly as you hear it.  If you load one of the video RealTracks bands, you will have video RealTracks on 5 tracks, and you can make a video of 1-5 musicians.  You can also include a chord sheet or notation in the video.

You can easily find the video RealTracks in the RealTracks or RealDrums Picker.  The “Set” column will show “VideoFound” if the video RealTracks is installed.

When you select video RealTracks, [V] will show at the track buttons.

To make a video of RealTracks that are selected for your song, right-click on the Master button or one of the track buttons and select Render Video(s) from the menu.

This will open the Generate Video dialog.

Drag one of the available tracks listed at the top of the dialog and drop it onto the layout selector below.  You can also drag and drop the chord sheet or notation (if available).  You can even drag a video file (.mp4 files and some .avi files) from Windows® Explorer and drop it onto the video layout selector.

Right-clicking on the layout selector will show you a menu with options to flip a video, make a video for the left handed, or select alignment for each video.

When you are ready, press the [Render] button and select the name and location for the video.

While the video is being rendered, you can close the dialog and use other features in Band-in-a-Box.

 When the video has been rendered, you can click on the .mp4 file on the Windows® Explorer to play the video.

Here is an example of a video for modern country band (electric bass, electric guitar, piano, drums, and pedal steel).

Saving Your RealTracks

RealTracks that have been frozen will be saved with the song.  Frozen tracks will play back instantly, not requiring time to generate.  They play back the same way each time, so if you like a solo, you can “freeze it.”  If you send a song to a friend as “frozen,” they will hear the same performance.

RealDrums

The RealDrums are recordings of top studio drummers, playing multi-bar patterns.  MIDI drums are patterns based on single drum hits, being programmed, typically on a quantized grid, of what people assume drummers are typically playing.  We record drummers at multiple tempos, so the playing you hear at various tempos is also musically different, not just “sped up.”  Drummers play different types of fills etc. at slower/faster tempos, and these are captured with RealDrums.

How Do RealDrums Work?

There are several ways to hear RealDrums with new or existing Band-in-a-Box songs.  The simplest way is to select a style that already uses RealDrums. In the StylePicker, styles with RealDrums can be identified in the list by a style name beginning with a minus sign.  For example, “-ZZJAZZ.STY” is a version of the ZZJAZZ.STY that uses RealDrums.

You can see what RealDrums set is used in a particular style is in the StyleMaker’s Misc. Style Settings dialog.  Open the StyleMaker and click on the [Misc] button to get there.

You can change the RealDrums, or assign RealDrums to a style that doesn’t have them, by clicking on the [RD] button and making a selection from the RealDrums Picker dialog.

RealDrums can also be enabled to substitute for MIDI drums when a song is played, or they can be assigned to a specific song.  This is done in either the RealDrums Settings or the RealDrums Picker.

RealDrums Settings

With Enable RealDrums checked, RealDrums may be used rather than MIDI.  There is also a hot key combination to turn RealDrums on/off (Ctrl+Shift+F6).  The hot keys also work while the song is playing.
Substitute RealDrums for MIDI drums: This will substitute RealDrums for MIDI styles.  You can change the setting from 1 to 5. If set to 1, almost all MIDI drums will get substituted by RealDrums.  If set to 5, only RealDrum styles that match the style perfectly will get substituted.
For RealDrum substitutions, choose different ^variations with each PLAY:   This feature selects variations of RealDrums instruments with each PLAY.  Most RealDrums contain may instrument variations (“brushes vs. Sticks”, “HiHat vs. Ride Cymbal” “Percussion only” etc.).  Now, by selecting [Prefs] [Real Drums] “…choose different variations with each PLAY,” you can hear a different variation each time play is pressed, so the song sounds fresh each time.  One time you will hear it with brushes, the next time with sticks and ride cymbals, etc.
Favor Brushes/Sticks: When selecting RealDrums to use for a style, BB will use your preferences for brushes and sticks.  For example, if you choose “Favor Brushes,” BB will always choose from among variations that include brushes (when available).
Favor Artists: We have “artist” support.  This allows you to choose among different drummers playing the same style.  For example, we have multiple artists playing the “JazzBrushes” style.  You can set Band-in-a-Box to choose a different artist with each play, or always choose a specific artist.
If RealDrums style not found, use other RealDrums style: This will replace the RealDrums that you don’t have with ones that you do have.

For this song only, use this RealDrum style: This will let the current song use the specific RealDrums style.  Click on the [RD] button to select a specific RealDrums style to use in a particular song.  This will launch the RealDrums Picker with a list of all available RealDrums styles.  The [Clear] button clears the currently selected RealDrums for the song.
For this song, choose different ^variations with each play: When this is set, if you save a specific style with a song, you will hear a new variation of that style each time you press PLAY, with different drum instruments.
Enable RealDrum style changes at any bar: This allows the RealDrums to change styles with MultiStyles, style changes, or specific RealDrums style changes entered at any bar in the Edit Settings for Bar dialog (F5).
Amount of Reverb to add to Drums:  Normally, no reverb is added to Drums, but if you want some reverb added, you can set it here.
Slide Track:   You should normally leave this at 0, unless you are having problems with synchronization between the MIDI tracks and RealDrums.
Global Volume Adjust: If the RealDrums track is too loud or quiet in relation to the MIDI parts, you can adjust the volume here.  This will affect all RealDrums.
Adjust Push Velocity: If you find that RealDrums pushes are too loud, put a negative value in this field.  Enter a positive value if they are too soft.
Adjust Shot Velocity:   If you find that RealDrums shots are too loud, put a negative value in this field.  Enter a positive value if they are too soft.
[RD Demo] [SongDemo] [BB Styles]: These buttons will, for a chosen RealDrums style, enable you to (1) play the RealDrums demo song, (2) show a menu of BB styles that would work with the Real Drum style and (3) play a song demo of various BB styles that work with the Real Drum style.
[Install] […]: When the [Install] button is pressed, WAV files will be created from any RealDrums styles that are still WMA files.  Make sure that you have enough space available on your hard drive prior to installing the RealDrums.  The small button installs WAV files for a single folder.

[Archive] […]: This will erase the WAV files in the Drums folder when there is a smaller WMA available.  The WAV files can be restored by pressing the [Install] button.  The small button archives files for a single folder.
Use a custom folder location for the RealDrums: You can choose any folder (e.g. E:\Drums) for your RealDrums.  This allows you to, for example, conserve space on your C:\ drive.  If Band-in-a-Box cannot find your Drums folder, a yellow hint message appears at boot up to alert you to that and tells you how to fix it:  Note: You have RealDrums installed, but none are found in your Drums folder.  You should point to your correct Drums folder in Prefs | RealDrums Settings.”

Tempo checking for chosen RealDrums styles.  If you choose a RealDrums style, and the tempo is out-of-recommended-range for the style, then Band-in-a-Box will inform you of that – you can still use the style of course.  RealDrums styles that get chosen automatically by Band-in-a-Box will always be compatible with your song.

Selecting RealDrums - RealDrums Picker

The RealDrums Picker window is used to assign a particular RealDrums style for just the one song you are working on. RealDrums made by you (or others) that are added by you to the Drums folder also appear in the RealDrums Picker window.

The RealDrums Picker window opens by Shift+clicking on the [RealDrums] toolbar button. The hotkeys are R D Enter or R D 1 Enter.

The track selector at the top of the window lets you chose a track for RealDrums. RealDrums can be generated on any of the 24 tracks, not just the Drums track, so you can have multiple RealDrums in your song. You then choose RealDrums for the selected track from the list.

When the RealDrums Picker is opened within the MultiPicker window, additional buttons appear above the list. The [Apply] button is to apply the selected RealDrums to the current track. The [Generate] button generates RealDrums on the current track, and the [Part.Gen] button allows you generate RealDrums in the specific region.

You can use the filter features to search RealDrums. Type a filter text (e.g., bossa) in the Filter String field, and press [Update]. You will then see the list filtered to show only RealDrums that have the word “bossa” somewhere in the title, memo, etc. If you separate terms with a space, each term is searched for separately. So, a search for “Bossa Rock Ev 120,” will find any Bossa Rock styles with an Even feel that would work with a tempo of close to 120. Adding a search term that has a number will filter for RealDrums that match the tempo or within a compatible range. Pressing the [#] button allows you to quickly filter the list by many elements including feel, time signature, RealDrums with notation, artists, etc. The [Clear] button will cancel the filter and show all RealDrums. You can also use the arrow buttons to select a genre, time signature, feel, etc., and you will immediately see the filtered list.

You can double-click on the RealDrums list to instantly hear demos. You can also double-click on the Variation field to the right of the list to audition each variation of the RealDrums. For example, if you’ve found CountryWaltz^, you can hear demos of the variations (CountryWaltz^1-HiHat,Ride, CountryWaltz^2-Brushes etc.)

Each demo has a “band” version with all instruments and a “solo” version with drums only. You can choose which of them plays first when you double-click on the list or press the [Demo] button, with the Play full band demo (not solo) menu item in the [+] button. Otherwise, press the [Band] button for the full version or the [Solo] button for the solo version.

The demos sometimes play files from the Internet. You can download a file that is being played from the Internet by pressing the folder button. If the file is being played on your hard drive, this button will show the file in a folder.

The [+] button also shows menu items to let you load song or style demos of the selected RealDrums.

You can right-click on the RealDrums list to see a menu with commonly used functions. For example, you can toggle a favorite, list only favorites, clear filter, find similar RealDrums, and show RealDrums compatible with the current style. Choosing Select/Edit Favorites and Recent from the menu opens a dialog that shows favorites followed by recently used RealDrums. The list can be filtered with text string. For example, type “fusion” to find the ones with fusion in the name. This dialog also allows you to re-arrange/add/remove your favorites.

The RealDrums list can be sorted by any of the column headings.

• * Click on this column to enter an asterisk, indicating that this is a favorite style.
• Click on the name of the RealDrums style name that you want to select for the song.  Names ending in a caret ^ have variations available.
• ^ Clicking in the caret column will show the variations for the selected RealDrums style (if available).
• Genre is the type of music that the RealDrums style comes from, such as Jazz, Rock, or Country.
• Genre (more) suggests additional types of music that the RealDrums style might work for.
• /4 indicates the time signature, which is 4/4 by default.  If the column is empty, the time signature is 4/4; if there is a 3 in this column, the time signature is 3/4.
• Ev* indicates the feel of the RealDrums style, either Even or Swing.
• The listing in the 8 column indicates whether the meter is based on eighth notes (8) or sixteenth notes (16).
• Lo is the slowest tempo for which the RealDrums style is suited.
• Hi is the fastest tempo recommended for the style.
• X indicates a style with a tempo that is out of range for the song.
• N/A are styles not found in the Drums folder.
• Artist is the name of the drummer who recorded the RealDrums.
• # is the number of the RealDrums set for the style.  This column also tells you whether a video or notation (RealChart) is available for the RealDrums.
• The Stems column shows the number of microphones used for recording.When you select a RealDrums that has drum stems, you will see what they are just below the list. Using the checkboxes, you can load all stems, the selected stems, or the mix of all stems for your song. If you select all or individual stems, each stem will be loaded to separate tracks, so you can control volume, pan, etc. for each stem using the Mixer.
  

The [Set to None] button sets the drums to no RealDrums override for the song, and optionally also forces MIDI drums (i.e., no RealDrums for the style either).

The [RD Settings] button shows RealDrums settings.

• For this song only, force MIDI drums: Set this if you want MIDI drums and want to override a RealDrums that is set in the style.
• Simple Drums for this song (no fills): If this is enabled, RealDrums will play a simpler arrangement without fills.
• Timebase: You can select a timebase (normal, half-time, double-time, or triple-time) for any RealDrums. If you have an even 16ths Folk drums track at tempo 90, then you can choose Half-Time, and it will play even 8 feel with a style at tempo 180. If you have an even 8 feel style at tempo 190, then you can choose Double-Time, and it will play at tempo 95 (Cut-Time) even 16ths feel. If you have a fast waltz style at tempo 150, then you can choose Triple-Time, and it will play with a slow 4/4 style at tempo 50, which gives a triplet 12/8 feel. Timebase can be stored with song, style, or RealDrums. If the RealDrums is named with the timebase appended, it will function in that timebase. For example, “BossaBrushes” is a normal Ev 8 timebase, but “BossaBrushes [Double-Time]” would play this in a Cut-Time ev 16 feel.
• Show RealDrums that are N/A: These are styles not found in the Drums folder, likely because they are add-on styles not purchased yet. Press the [Rebuild] button and check the RealDrums Settings to confirm that you have the correct Drums folder selected.
• Show if Feel does not match will show a song where the drums are in Even feel and the style is Swing (or vice versa).
• Show if Tempo is out of range will show styles that wouldn’t work well at the current song tempo. The acceptable range is shown in the list of styles Lo/Hi (9th and 10th) columns.
• Show RealDrums that are not Favorites (*): You can assign a style as one of your favorites by clicking in the first column. Then you can sort by favorites or use this option to only see favorites.
• Show RealDrums with stems: If this is checked, only RealDrums that include stems will be listed.

The [Defaults] button returns the window to default settings.

The Memo area shows a memo description of the style.  These are stored in C:\bb\Data\RDPGMemos.txt file.  You can also add your own memos in the User Comments box below.

The Artist Bio shows brief summaries of the careers of the top drummers featured in RealDrums. Double-click here to open the Artist Browser, which lists all artists and allows you to see more info.

You can type in your own comments about any style in the User Comments field and they will be saved in a file called RDUserMemos.txt.

RealDrums ending in a caret (^) have variations, which are listed in the Variations field.  They are listed here.  Where there are two instruments shown, such as Brushes/Sticks, the first one plays in the “a” substyle and the second in the “b” substyle.  You can double-click on each variation to hear the demo.

The [Settings] button opens the RealDrums Settings dialog.

The [Rebuild] builds the list of RealDrums present as folders in the C:\bb\Drums folder.  If you add new RealDrums, press this button to update the list.  (These are stored in a C:\bb\Data\DrumFolderNames.txt file.)

The [Copy List] button saves the current list with all information to a tab-delimited .txt file and opens it in Notepad.  In Notepad copy all and paste it into a spreadsheet such as an Excel file. You can then apply a hierarchical sorting of the list.

The [Audition] button opens your audio player to play a demo.

The [Play Now] button loads the selected RealDrums and starts playback. If you haven’t played the song yet, since you haven’t generated non-drums tracks, you will only hear drums.  In that case, Shift+click on the button to generate all tracks. The [Stop] button stops the song playback. 

Press [OK] to make your selection and close the window. Press [Cancel] to cancel your selection and close the window.

Changing RealDrums at any bar

The Edit Setting for Current Bar dialog opens with the menu command Edit | Bar Settings or with theF5 function key.

In this dialog, you can change RealDrums at the current bar.  The change can affect all choruses, or just a selected chorus.

The [RealDrums] button opens the RealDrums Picker to select a new RealDrums from the list.

Click on the [Clear RD] button to remove the change.

RealDrums QuickList

This is the simpler dialog for choosing RealDrums, an alternative to the RealDrums Picker.  It displays all available RealDrums in a simple list, which can be easily filtered by genre, time signature, feel, and more.  The list can be set to show only RealDrums that are compatible with the current style of the song.  You can also set the highlighted RealDrums as a prototype RealDrums to find alternates to that RealDrums.

To open the dialog, right-click on the Drums track button, and select [QuickList] RealDrums in Song from the menu.

You can filter the list by genre, time signature, feel, tempo, and text.  Use the [Set to Style: ] button to see RealDrums that are compatible with the current style of the song.  The [Set to RD: ] button allows you to set the highlighted RealDrums as a prototype RealDrums so you can find alternates to that RealDrums.  Press the [Clear] button to clear any filter.

Pressing the [Artist Bios] button opens the Artist Browser which lists all RealDrums artists and allows you to see more info.

Multi-Drums

You can put multiple drum/percussion parts, drum loops, UserTracks drums, and even RealTracks on the same Drums track, with volume mixer adjusting levels.

For example, you can add single drums instruments (e.g. Tambourine and Shaker), a bass drum loop, and/or UserTracks drums to BossaBrushes Drums track.  To do this, click on the Drums track button and go to Multi-Drums | Edit-Multi Drums for this song. You will then see the Create Multi-Drums dialog.

  Make sure that you enable the “Enable Multiple Drums” checkbox.

  Then type a title for your Multi-Drums.

To add drums, click on the […] button on an unused slot.  This will show you a menu where you can choose a second RealDrums, [single] drum/percussion (e.g. tambourine), loop, UserTracks, or RealTracks.  You can adjust volume for each selection with the “dB Offset” option.

If you want to use a pre-made Multi-Drums, select the Choose Existing Multi-Drums menu option from the Drums track button menu.

This will list pre-made Multi-Drums.  (Note: These drums are found in the Drums folder, and all have names ending in [Multi-Drums].)

EZ Selection of Drum Grooves

Many RealDrums sets include variations, or different grooves.  There is an easy way to select the different grooves within the song.  Simply right-click on a bar number, and you see a menu of the Drum Grooves within the style.  So, for example, you could easily switch from the “side stick/hihat” groove to “snare/Ride.”  These are RealDrums with names that end with a caret (^) like CountryPopEv16^.

You can access the Drum Grooves to select them at any bar, by right-clicking on the bar #.  You then see a menu of all the Drum Grooves.

For example, one Drum Groove is “Snare, HiHat” and another one is “Snare, Ride.”  You can switch the Grooves at any bar, so that the Drumd part is more interesting.

The menu item Apply Drum Groove change to allows you to select which chorus the change of Drum Groove should apply to (default is all choruses). 

Note that the changes of Drum Grooves are entered in the F5 bar settings dialog.

UserTracks

UserTracks allow anyone to create their own audio styles for use in Band-in-a-Box.  With a UserTracks style, you can type in any chords into Band-in-a-Box, and the UserTracks style you made will play that chord progression!  For example, if you’ve made a UserTracks style by recording yourself playing a guitar groove, you can then type any chords into Band-in-a-Box, and the result will be that it will play your guitar groove over these completely new, original chord changes!  You can even change the tempo, or enter songs in ANY key, and it will still be able to play it!

You can make a UserTracks style in any digital audio workstation (or “DAW”), such as RealBand, ProTools, or Reaper, and you don’t need Band-in-a-Box or RealBand to make the style (though you do need one of those programs to use the finished style).

You can also download backing tracks to record along with.

There is much more choice here, including a variety of different genres of music, and a variety of different tempos.  Each one, however, will conform to either the Pop, Jazz, or Blues template.  You do not NEED to use these backing tracks to make your style, but they can make the process easier.

Selecting UserTracks in Songs

You can use the UserTracks in a similar manner to using RealTracks.

 To select a UserTracks for a track, first select the track at the top of the screen.  For example, if you want to add a UserTrack to the Guitar Track, launch the menu on the Guitar track button (by right-click or double-click), and choose the “Select a UserTrack for this Track” option.

An alternative to the menu would be to select the Guitar Track, and then press the [UserTracks] button on the main screen.

Now you will see the Pick a UserTrack dialog.

You can preview UserTracks by double-clicking on the list or using the transport control buttons.

 The speaker icon in the transport control allows you to control the volume of the demos.

You can select a timebase (normal, half-time, double-time, or triple-time) for any UserTracks.

Select a UserTrack and press OK. You will then see that UserTrack listed on the Guitar track on the Mixer

Now the track behaves like RealTracks. Simply press the [Generate and Play] button to hear it.

Adding new UserTracks

RealTracks are made by PG Music.  UserTracks are made by you, or other Band-in-a-Box users.  So you will have a different list than displayed above.  We include a small number of UserTracks with Band-in-a-Box package.  There is a UserTracks forum in the PG Music forum, where users can notify others about their UserTracks creations, and share them if they choose to.

For example, if your friend makes a UserTracks of his accordion playing, and wants to give it to you...

• He can name it whatever he likes, and has called it “Accordion, Rhythm CountryWaltz Sw 110.”
• He has sent you a ZIP file of this folder.
• You will unzip it to your UserTracks folder.

A UserTracks consists of a single Folder, with the name of the UserTracks as the name of the folder.  To add the UserTracks to your collection, you simply put the folder into the C:\bb\RealTracks\UserTracks folder.  (Note: if you use a location like H:\MyMusic\RealTracks as your RealTracks folder, then your UserTracks folder would be in H:\MyMusic\RealTracks\UserTracks.)

Creating your own UserTracks

Creating your own UserTracks is a simple process!  It consists of the following steps:

• Create a folder in the UserTracks folder (i.e. usually C:\bb\RealTracks\UserTracks) and let’s call it “Guitar, Acoustic, Brian Fingerpicking Ev 140.”
• Now, in that folder, you need to put at least one Band-in-a-Box song.  This song can have any chords but should have a wide variety of chords and chord types.  Let’s say you call that file MyGuitarPlaying1.sgu
• For each BB song that you put in the folder, there needs to be a corresponding AUDIO file (WAV or WMA) that matches the BB song.  So, the name must be MyGuitarPlaying1.wav or MyGuitarPlaying1.wma.  You can make that WAV file in any program, (Band-in-a-Box, RealBand, Sonar, Pro Tools etc.).  It needs to have a 2-bar lead-in like BB songs always have, and of course it needs to be at the same tempo and be playing over the same chords as the BB file.

That’s it!

You now have a folder that looks like this, and you are ready to use your UserTracks.

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To use it, follow the same routine as described above, opening the Pick a UserTracks dialog, where you will now see your UserTracks listed with the others.

Now, you can leave it at that, or you can record more files, (i.e. more pairs of files with a Band-in-a-Box file and a corresponding wav file).  These can be any other names.  And you simply add them to the folder.  Band-in-a-Box will automatically add these files to your UserTracks, simply by you putting them there.

UserTracks support 3/4 waltz time signature.

Just make a UserTracks as normal and save the Band-in-a-Box song with your UserTracks in 3/4 waltz time signature (i.e. save using a waltz style).  Make sure that the options.txt file in the folder says “ThisIsWaltz=true.”

You can find lots of help about making UserTracks on our website, and this page is a good start.

https://www.pgmusic.com/usertracks1.htm

UserTracks Tutorial

Part 1 - Making a basic UserTracks style

This tutorial will show you how to go about making a style, starting with the most basic, simple style that you can make, and then progressing to other ways to make your style even better, with more features and greater variety.

The easiest way to start is by using one of our pre-made templates.  You can find templates in the C:\bb\Data\TemplatesForUserTracks folder, or download additional templates from pgmusic.com.

Each template contains .pdf chord charts and Band-in-a-Box files.  The files are numbered PopSong_1_..., PopSong_2_..., etc.  You do not NEED to use these backing tracks to make your style, but they can make the process easier.  For the most basic UserTracks style you can make, you ONLY need to use Song_1.  We will start off by showing you how to make a basic pop style.

The first thing you need to do is download and unzip the template, UserTracks_Template_Files.zip.  Out of the files from that archive, you need to find and print PopSong_1_FirstSong.pdf.  This is a 7-page chord chart.  The next step is to set up your DAW with the tempo you want your UserTracks style to be at.  You are now ready to record your part.

The first two bars are allotted as a count-in, and will NOT be used in Band-in-a-Box, so your playing should begin in the DAW at bar 3. This will correspond to bar 1 in the chart.  You can then record the song in full (punching in, or doing retakes as much as you like or need).  You will notice that the chart follows basic Pop progressions (examples: I-VIm-IV-V; I-V-VIm-IV; etc.), and that it is in the key of C for the first 80 bars, then switches to E for 80 bars, and then switches to G for 80 bars.

Once you have finished recording the entire chart, render the track you recorded to either a .wav or .wma file.  The two bars at the beginning for the count-in need to be in the final file.

Then, the audio file you made can be named whatever you like, for example: MyGuitarStyle.wav, AND, the Band-in-a-Box template file (it has a file extension .SGU) has to be saved with the exact same name, which would have to be: MyGuitarStyle.sgu).  The only difference between the two names will be that your file ends with .wma or .wav, and the Band-in-a-Box file ends with .sgu.

To use the style you made, the files need to be placed in a particular place in the Band-in-a-Box folder.  If Band-in-a-Box was installed to C:\bb, then the files need to be in a subfolder of C:\bb\RealTracks\UserTracks.  So, for example, if you wanted your UserTracks name to be “My First Guitar UserTracks style,” then the two files would go in: C:\bb\RealTracks\UserTracks\My First Guitar UserTracks style.  Note: It is the folder name that determines the name of the style as it appears in Band-in-a-Box or RealBand, NOT the names of the individual wav/wma/sgu files.

Once this is done, the style is now available for you to use in Band-in-a-Box or RealBand!

Part 2 - Adding to your basic style by recording more material.

Once you have the basic style done from Part 1 of this tutorial, you may find that you want to add more material to make your style even better.  There are several reasons for this.  To start with, that first basic template has a limited number of chord types.  For example, the first song of the pop template only uses major or minor triads.  Another reason is that certain features won’t work with only the first song recorded.  Endings of songs, for example, will stop at the right time, but you won’t have dedicated recorded endings.  The final reason you may want to record more material is simply to have more variety in your song.  With only the first song recorded, when you use the style you may notice certain licks repeating.  The more material you record, the less likely it is that you will notice that kind of repetition when the style is used.

So, we have specific templates set up to address these different issues. So, you are free to record some or all of the additional templates. You can pick and choose if there are certain issues that are more important to you and your style, or you can record all of them to make sure your style can handle ANY musical situation!

For all of the additional templates, the method of recording them is exactly the same as with the first song.

When the recordings are finished, again you simply need to render your recorded track to wav or wma, save it in the C:\bb\RealTracks\UserTracks folder in the same location as the song1 file, and give it a unique name, which needs to be the same name as the corresponding Band-in-a-Box .sgu file.

When this is done, when the UserTracks style is used in Band-in-a-Box or RealBand, all additional material you put in that folder will now be part of the style!  For most of the additional templates, the method is EXACTLY the same as it was for recording song1.

You can find lots of help about making UserTracks on our website, and this page is a good start.

https://www.pgmusic.com/usertracks1.htm

UserTracks Development Settings for Current Bar

The [UserTracks Development] button in the Edit Settings for Current Bar dialog (F5) opens a dialog with advanced settings for making UserTracks.

The dialog allows you to determine how the bars of music you recorded for your UserTracks will be applied by Band-in-a-Box in the song. For example, you can completely exclude a particular bar or make it only play in a particular place like an ending or a fill.

Bar # and Chorus # indicate the current song location. This is the bar where the settings will be applied, but you can apply them to a range of bars if you enter a list (3,5,7) and/or range (10-20, 25-28) of bars, separated by commas, in the field under Enter a Range of Bars.
Don’t include this bar in the UserTracks excludes the current bar (or range of bars, if set) from the UserTracks and will never be used.
Ending starts on this bar (4 bar ending) sets the current bar as the first bar of the 4-bar ending.
Don’t start a new Riff on this bar prevents the current bar from being used as the start of a new riff. This is useful if the bar has sustained notes carried over from the previous bar and no new attack of a note.
Don’t End a Riff at the start of this bar means that the current bar (or list of bars in the edit control) will not be used to end a riff at the start of the bar. This is useful if the previous bar doesn’t have a defined ending for a riff.
Only choose this bar if the key matches allows the bar to be used only if the user’s song key matches the key of this song. So, if this is the IV chord, it would only get chosen if it will be the IV chord in the user’s song.
This bar is simple sets the bar to use simple riffs.
Only Play this for a fill sets the current bar as a fill, which will only be played where the user’s song is also a fill.
Only play this for a post fill (after a fill) sets the current bar (or list of bars in the edit control) to only play after a fill in the user’s song.
Odd/Even must match sets the current bar to play in the user’s song only if the odd/even status (bars after a part marker) matches the user’s song.
Always play this bar if it matches means that the current bar (or list of bars) will always get played, as long as its chord and other settings are compatible. It overrides any other riffs that match.
Once is enough (don’t repeat this) sets the bar to only be played once in a song. Use for an unusual riff that you don’t want repeated.
Bar/Beat Markers: You can set the location of the bar or beat markers if the riff doesn’t start on the bar or beat. You can set the location in ms offset, and also set the riff marker type, begin and/or end. The offsets can be set visually in the Audio Edit window.

Audio Controls for RealTracks and RealDrums

Tone Control

There is a bass/treble Tone control for individual tracks with RealTracks or RealDrums, so you can easily adjust the bass/treble EQ for any RealTrack.  The Tone settings save with the song.

Audio Reverb Control

Auto-Add Reverb

There is also a feature that automatically adds reverb to RealTracks, according to instrument type.  No reverb is added to the Bass part, for example, but most instruments get reverb. 

   If you just want more or less reverb added, you can adjust the Strength %.  For example, the default Band-in-a-Box reverb setting is 40 for most tracks.  If you set the strength to 75%, the setting becomes 30.

Reverb Settings

Enable reverb (Global) / Enable reverb for this song only: Reverb can be enabled/disabled globally for all songs, in which case the setting will still appear but no reverb will be applied.  Or you can enable/disable the audio reverb for the current song only.  This will save some CPU cycles if you are using a slower machine.

Click on the green Select Preset arrow to open the list of presets.  This list will show only the “Band-in-a-Box Default Reverb” until you save some presets of your own.

As you adjust the settings, they will be applied to the current song.  The [Swap “Default”] button toggles between your current settings and the default settings.  This allows you to hear the effect of the changes you make to the settings.

Use the row of “room” buttons to load typical settings for different types of spaces.  These buttons are a convenient way to either apply a particular effect or to load settings that you can then tweak to make your own preset.

Pre-Delay is the time delay of first reflections.

Decay is the time it takes for reverb to decay.  Reverb time is measured as RT60, the time it takes for reverb to decay to a level -60 dB below the dry signal level.

LF Roll off gradually reduces the bass frequencies.  If you can’t add enough reverb because the sound gets too muddy, try increasing the LF Roll off slider.  It is adjustable between 50 Hz and 500 Hz.

HF Roll off is the rate at which the high frequencies die away as the reverb decays.  Rooms with hard surfaces are typically bright, but rooms with soft surfaces are usually darker.  It is adjustable between 1 KHz (dark) to 11 KHz (bright).

Density is the density of low-level echoes near the end of the reverb tail.  High Density settings add sheen to the sound.

Level adjusts the final level of the reverb.

Typical Reverb Settings:

• A large hall might have long Pre-Delay, long Decay, and moderate Density.
• A hard, large space such as a Gymnasium might have long Pre-Delay, high Density and high HF Roll off.
• A soft large space such as a concert hall with carpet, padded seats, hangings, might have medium Density and low HF Roll off.
• A small hard space such as a tile washroom might have short Pre-Delay, medium-to-long Decay, high Density, and high HF Roll off.
• A small soft space such as a large living room might have short Pre-Delay, short Decay, medium-to-low Density, and low HF Roll off.

Enable Auto-add reverb to RealTracks to automatically apply preset amounts of reverb to RealTracks according to instrument type.  No reverb is added to the Bass part, for example, but most instruments get reverb. If you just want more or less reverb added overall, you can adjust the Strength %.  For example, the default Band-in-a-Box reverb setting is 40 for most tracks.  If you set the strength to 75%, the Band-in-a-Box setting becomes 30.

With the [Save as Default Reverb] button, you can save the current settings as the default reverb.

Click on the [Restore Defaults] button to go back to the original “factory” reverb settings for Band-in-a-Box Default Reverb.

You can save your reverb types as presets, and the current settings will also be saved with the song in the C:\bb\DX Settings\PGReverbSettings.bin file.
To save the current settings to a preset, type in a name for your preset in the “Preset Name” field.

Then click on the red Save Preset arrow and choose a location in the Preset list.  You can write over an existing name.

A prompt will ask you to confirm that you want to save the preset. Select [Yes] to save the new preset to the chosen location.